GERARDO KALMAR

All the while, many species of animals chirp, growl, and howl off-screen, and do so with metonymic timing. Sound designer Guido Berenblum and sound editor Gerardo Kalmar greatly enhance the film’s hypnotic pull with textured audio landscape, rife with the unnatural sounds of nature and pitched just too loud so as to be disquieting.

Seminar at Bafici

Open Chat Talking about the Film sound, from the scipt to the final mix and deliveries